In the evening there was a sitar concert by Debu Choudhuri, who had come all the way from Delhi for the occasion. He played two ragas, and finished with a third, Rag Swanandeshwari, which he had composed some years before at Shri Mataji’s request. Afterwards Shri Mataji talked to us about music, how in Western music certain developments such as in the field of harmony had been made, ‘which was a good thing’, but that modern music was completely degenerate, even much Indian music. The old ragas had been directly inspired by the unconscious. She described the difference between the Karnatic music from South India, which uses microtones (shrutis), and the Hindustani from Northern India, and talked about how many great Indian musicians had played before Her and had such respect for Her.
After the musical recital came the dramatic performance, prepared by the English. This presented the different incarnations of the Shri Adi Guru, with music from a sort of rock group, and a son-et-lumière. Shri Mataji much enjoyed the production, and at the end, when some of the girls finished with a graceful dance, She showed the girls how to dance together the opening of the Sahasrara, holding their saris high above their heads to produce the effect of petals.